Ride the Lightning
- Nov 17, 2025
- 2 min read
Updated: Nov 26, 2025
By Garth Robinson
Only today I learned what this really means, and
what a dumb meaning, because doesn’t it sound like
something magnificent, something kin to flight?
This is what I’d like for it to mean: Today I tried
to explain to my students how a poet might use
empty space. You have more than one tool, I said.
You have more than words. Somehow my class this fall
is eight boys: gentle, hard-headed, wonderful and
impossible. They’re looking at me the way you’d look
at a man conjuring spirits. And I could go on, but it is
the last day in September and outside the air is fuzzy
& thick, as if with fur, and there’s little else to do but
walk the gravel road up and away towards the woods,
past the old pond, the potato field, past the honeysuckle
sketching latticework in the space between fence posts.
The afternoon brings such fistfuls of beauty. But the
boys are quiet, walking as if numb, until we get to a turn-
around where someone has parked a big yellow excavator.
I wonder if they left the keys in there, one of them says. They
jump up on the muddy tracks, cup their hands against the
glass of the cab. No keys in there. But this doesn’t bother them,
and they walk around the excavator, they inspect the under-
carriage, they take turns suspending each of their separate weights
against the edge of the dirty, steel-plated bucket. To each other,
as if I were not there, they maneuver imaginary joysticks along
imaginary tracts, they lift imaginary weights & deposit them
heavy on imaginary earth. I know I should be hurrying them back
to class, but it is difficult when they act like this, when they are so
happy to see this machine that they know is a marvel. It strikes me
again that they are only boys, and by that I mean only children, and
by that I mean to tell them each:
ride the lightning ride the lightning ride the lightning.
Garth Robinson lives and teaches in Annapolis, Maryland. He holds an MFA from Hollins University. His work has appeared, or is forthcoming, in DIAGRAM, Oyster River Pages, Iron Horse Literary Review, Kestrel, Variant Literature, and elsewhere.









